Will’s Unpopular Opinion – Wowwy Wow Wow Wow! – 6-8-16

Now, this is not a review. I have no personal stakes in this. I have no interest in seeing the movie. I never played the game or cosplayed as an ork-guy…., but I can tell you that due to this being a massively niche title, no one except gamers cares about “WoW: The Movie”. I suspect it’s because there was little to no marketing for it. I’ve seen about six big budget popcorn flicks this summer, and not once did I see a trailer for Warcraft. It’s not a huge leap to assume the movie will underperform domestically; only possibly breaking even with international numbers to help slosh it along. Rotten Tomatoes has it tracking at 29% rotten, and IGN gave it a 7. That’s like your mom saying “That’s a nice haircut you gave yourself, now go outside.” This speaks slightly to the quality of the film, but ratings aren’t the reason this movie will bomb; although it doesn’t help it much either. The movie is being toted online as the “The prequel to a trilogy you’ll never see.”, and that’s worth taking note of because movies like this are only made for one reason, and that’s to make more movies like this.
But was failure imminent? 
publisher pusher. But they needed a new hit… In November of last year, Blizzard officially stopped posting the number of WoW subscribers due to subscription drop-offs. How many? 5.5 million to be exact. The number of players had reached it’s lowest community representation since 2005. So with players shrinking in numbers, instead of worrying about it on a public front, Blizzard did away with it all together. Was this a sign of things to come? Possibly. It’s always difficult to put your head inside the big machine at some marketing firm or corporation and assume what they’re thinking, but if WoW was leaving players in the lobby, perhaps it made more sense to let the movie die slowly and fall under the radar, rather than have a big to-do for a movie that would have bombed regardless. The main issue seems to be that no one outside of the gaming community or fans of the series were aware the movie existed, and if they were, there was nothing in the trailer that felt like something worth watching. So a bunch of green trolls have a baby? Sorry, don’t care.
If this movie had been released during literally any other summer ever, it may have stood a chance. It was toted at BlizzCon and E3, and that’s nice, but ComicCon has only been about Marvel and DC for the past 2 years, and deservingly so. Although, ‘Warcraft’ is currently performing well in China by boasting the largest midnight opening ever recorded. (So a sequel seems propitious.) But American audiences are experiencing a bit of overkill with the one-two punch combo hit of blockbusters reining down upon them as the summer sequel madness continues to march on. The studios have the crowds against the ropes, and ANOTHER hit to the face isn’t going to hurt any more or less at this point. It’s like that SNL sketch, ‘The Continental’, where Christopher Walken keeps trying to seduce you and all you want to do is leave. Most people have theater fatigue and just want the whole thing to be over already. I’ve had enough man! Get your pizza bagels out of my face!

Unfortunately this is nothing new. This happens all the time. Movies are either misrepresented or misinterpreted by their own marketing teams prior to their release, primarily due to largely unknown sects of specific genres. Knowing your audience is key. If you’re making a movie that caters to a group of people who would possibly rather stay at home and play the game of the very movie you’re trying to sell, instead of seeing the movie, then you need to broaden your market to encompass people who don’t play the game. Alongside that, timing is everything. If ‘The Matrix’ wasn’t released in March against literally nothing in 99′, would it have gotten two sequels? Probably not. Releasing a movie the weekend after 7 consecutive action blockbusters have littered the playing field, could be argued as possibly the absolute worst time to release a CG heavy sword and sorcery epic, ever. Especially one that depends heavily on the viewer’s prior knowledge/nostalgia of the series to carry it, and does little in the attempt to appeal to anyone who doesn’t know the name, Leeroy Jenkins.
-Will Valle
